\u00a0<\/b><\/p>\n
Belton, John (1985). \u201cTechnology and Aesthetics of Film Sound\u201d from Film Sound: Theory and Practice<\/b>, edited by Elisabeth Weis and John Belton, pp63-73.<\/p>\n
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Bizzocchi, J. (20 (Bizzocchi, 2009)09). “The Fragmented Frame: the Poetics of the Split-Screen” from Media-in-Transition 6 Conference – stone and papyrus, storage and transmission, April 24-26, 2009, Cambridge MA. Online at: http:\/\/web.mit.edu\/comm-forum\/mit6\/papers\/Bizzocchi.pdf<\/a>. Consulted 3rd<\/sup> August 2010.<\/p>\n <\/p>\n Bolter, David J and Grusin, Richard (2000). Remediation: Understanding New Media <\/b>MIT Press: Cambridge Massechusetts<\/p>\n <\/p>\n Bordwell, David (1974). \u201cEisenstein\u2019s Epistemological Shift\u201d. Screen 1974 15(4):29-46; Oxford: John Logie Baird Centre and Oxford University Press<\/a><\/p>\n <\/p>\n Branigan, Edward. 1992. \u00a0Narrative Comprehension and Film.<\/b> <\/i>Routledge, London<\/p>\n <\/p>\n Butler, Judith. 1997. \u00a0The Psychic Life of Power:\u00a0 Theories in Subjection<\/b> USA, Stanford University Press.<\/p>\n <\/p>\n Copjec, Joan. 1994. Read my Desire: Lacan against the Historicists<\/b> Cambridge Massechussetts, October Books: MIT Press.<\/p>\n <\/p>\n Gamman, Lorraine (1989). \u201cWatching the Detectives: The Enigma of the Female Gaze\u201d in<\/p>\n Larraine Gamman and Margaret Marshment, eds. The Female Gaze: Women as Viewers of Popular Culture. <\/b>Seattle: The Real Comet Press.<\/p>\n <\/p>\n Genette, Gerard, 1988. Narrative Discourse Revisited: An Essay in Method<\/b> <\/i>Cornell University Press, New York. trans. Jane E. Lewin.<\/p>\n <\/p>\n Genette, Gerard. 1972. \u00a0Narrative Discourse:\u00a0 An Essay in Method<\/b> <\/i>trans. Jane E. Lewin. Cornell University Press, NY.<\/p>\n <\/p>\n Hughes, Ted. 1997.\u00a0 Tales from Ovid: Twenty-four Passages from the “Metamorphoses”<\/b>.\u00a0 Faber and Faber. London<\/p>\n <\/p>\n Lacan, Jacques. 1972-3. \u00a0On Feminine Sexuality, the Limits of Love and Knowledge: Encore – the Seminar of Jacques Lacan Book XX, <\/b>Edited by Jacques-Alain Miller, Trans. by Bruce Fink, (W.W. Norton and Company, 1998)<\/p>\n <\/p>\n Laplanche, Jean.\u00a0 1998. \u00a0\u201cNotes on Afterwardsness\u201d in Essays on Otherness. <\/b>Trans. Luke Thurston. Ed. John Fletcher <\/i>Routledge. London\u00a0 265.<\/p>\n <\/p>\n Rieser, Martin and Zapp, Andrea, editors.\u00a0 2002. New Screen Media Cinema\/Art\/Narrative UK<\/b>, British Film institute: London<\/p>\n <\/p>\n Verhaeghe, Paul.\u00a0 1995. \u00a0\u201cFrom Impossibility to Inability:\u00a0 Lacan\u2019s Theory of the Four Discourses\u201d.\u00a0 The Letter: Lacanian Perspectives on Psychoanalysis.\u00a0\u00a0 (Issue 5, Autumn 1995).\u00a0 <\/b>\u00a0\u00a0\u00a0\u00a0APPI (The Association for psychoanalysis and psychotherapy in Ireland). Dublin:\u00a0 76 \u2013 99.<\/p>\n <\/p>\n \u017di\u017eek, Slavoj Welcome to the Desert of the Real<\/b>, 2002, \u00a0Verso. London:<\/p>\n <\/p>\n <\/p>\n Filmography<\/p>\n ADAMS, JOHN (2005).\u00a0 Hindsight<\/b>. http:\/\/www.bristol.ac.uk\/drama\/expandedcinema\/hindsight\/<\/a> Consulted 12th<\/sup> February 2011<\/p>\n <\/p>\n EISENSTEIN, SERGEI M (1928) Ivan the Terrible Part 1 and 2 <\/b>[Off air recording 2011]<\/p>\n <\/p>\n EISENSTEIN, SERGEI M (1928) October <\/b>[Off air recording, DVD) 2011<\/p>\n <\/p>\n HOCKNEY, DAVID Cited in ITV 1 (2010). [Off air recording. DVD] The South Bank Show Season 37 Episode 6 David Hockney Revisited<\/b><\/a>, May 2nd<\/sup> 2010.<\/p>\n <\/p>\n NAM JUNE PAIK (1974) TV Buddha.\u00a0 <\/b>http:\/\/www.paikstudios.com\/gallery\/gallery_index.html<\/a> Consulted 12th<\/sup> February 2011<\/p>\n <\/p>\n VIOLA, BILL (2003) Passions <\/b>(National Gallery 2003)\u00a0 http:\/\/www.billviola.com\/<\/a>\u00a0 <\/b>Consulted 12th<\/sup> February 2011<\/p>\n <\/p>\n